Download e-book for iPad: A New-England Tale (Penguin Classics) by Catharine Maria Sedgwick

By Catharine Maria Sedgwick

ISBN-10: 1101176814

ISBN-13: 9781101176818

Jane Elton, orphaned as a tender woman, is going to stay along with her aunt Mrs. Wilson, a egocentric and overbearing lady who practices a repressive Calvinism. of their rural New England village, Jane grows up craving to damage loose from Mrs. Wilson's tyranny and locate her position as a citizen of the evolving American Republic. She is helped by means of her encounters with characters who include quite a few shadings of ethical, non secular, and civic advantage: the affectionate servant Mary Hull, a pious Methodist; Mr. Lloyd, a sort Quaker; loopy wager, emotional, sympathetic, yet deeply risky; and previous John, bereaved yet clever. eventually, A New-England Tale is ready the relationship among parenting and governing, and the major function girls play in shaping a fledgling country.

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Additional info for A New-England Tale (Penguin Classics)

Sample text

But no writer, no matter how skilled and no matter how committed to realism, could produce a representation of a landscape—or a room or a face—as completely and exactly as a photograph. This was a major new development in the ancient competition between images and words. Nature, after all, has never been persuaded to pick up a pencil and “reproduce herself ” in words. (Stephens 75) Photography thus undermined the realism espoused by painting precisely through its technological advances and the power it wielded to represent more, faster, better.

S. writers’ steadfast refusal to give up the well-made novel (see Klinkowitz). A number of these obituarists—among them Leslie Fiedler and Susan Sontag—point to the rise of the critic as a by-product of the demise of the novel, suggesting that only the form’s death could account for critics’ existence (see Fiedler; Sontag). Others, including Louis Rubin, insist that reports of the novel’s death have been greatly exaggerated, largely by critics who don’t know where to look for the next great thing (see Rubin).

The scholars’ projected answers to their questions are embedded, as they are for Lawrence, in the questions themselves: the novel continues to matter, though in a mode more cultural than literary; its certainty rests in its representation of uncertainties.  . wherever the problems of women and minorities are taken seriously as fictional subjects” (8)—that is, the novel is not dying but democratizing. Other critics, as we’ll see, interpret this less as a change of subject matter than as a devolution of the literary into the sociological, another sign of the genre’s moribundity.

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A New-England Tale (Penguin Classics) by Catharine Maria Sedgwick


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