By Andrew Bowie
New, thoroughly revised and re-written variation. bargains a close, yet asccesible account of the important German philosophical culture of pondering artwork and the self. seems at contemporary ancient study and modern arguments in philosophy and thought within the humanities, following the trail of German philosophy from Kant, through Fichte and Hölderlin, the early Romantics, Schelling, Hegel, Schleiermacher, to Nietzsche.
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Extra resources for Aesthetics and Subjectivity From Kant to Nietzsche
198, A pp. 195–6). Kant makes it clear both that the sciences can exclude vital aspects of ourselves from their view of nature, and that these aspects must be accounted for in other than cognitive terms. The freedom of the imagination not to be bound by existing concepts enlivens the powers of cognition, enabling them to develop further, thus suggesting the possible purpose of these powers in human self-development as part of the purpose of nature itself. Furthermore, Kant introduces a notion, freedom, which for him belongs in the realm of the supersensuous, into our sensuous relations to the world.
Manfred Frank points out what is lacking in Kant’s account: ‘In order to be aware of its own appearance (in time) the simple being of self-consciousness must always already be pre-supposed – otherwise it is as if the self-awareness were to lose its eye’ (Frank 1985 p. 39), because it would not have any grounds for seeing representations in time as its representations. This consciousness must already exist in some way if it is to be aware of the series of intuitions which constitute its appearance as object to itself as its own intuitions.
Art is often seen as the location where those aspects of the self and the world, which are excluded by the dominant processes of modernity, can ﬁnd their articulation. It is for this reason that the emergence of aesthetics is an important disruptive factor in the development of modern philosophy. Baumgarten and Hamann had already suggested why: aesthetics attends to that which is not reducible to scientiﬁc cognition and is yet undeniably a part of our world. Despite the strictures of the ﬁrst Critique, Kant himself acknowledges the vital importance of this aspect of philosophy, even at the cost of putting some of his most fundamental ideas into question.
Aesthetics and Subjectivity From Kant to Nietzsche by Andrew Bowie