By Graham Thompson
This e-book seems past the typical label of 'Ronald Reagan's the United States' to chart the advanced intersection of cultures within the Nineteen Eighties. In doing so it offers an insightful account of the most important cultural kinds of Nineteen Eighties America—literature and drama; movie and tv; tune and function; artwork and photography—and influential texts and developments of the last decade: from White Noise to Wall highway, from Silicon Valley to MTV, and from Madonna to Cindy Sherman. A concentrated bankruptcy considers the altering dynamics of yank tradition in an more and more globalised marketplace.Key positive factors: * targeted case stories that includes key texts, genres, writers, artists and cultural tendencies* designated chronology of Nineteen Eighties American tradition* Bibliographies for every bankruptcy* Twelve black and white illustrations
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Extra resources for American Culture in the 1980s (Twentieth Century American Culture S.)
Since the 1960s and the Stonewall riots at the end of that decade, homosexual men and women in the US had become increasingly visible and, especially in large cities like San Francisco and New York, their lifestyles were a feature of the urban scene where they developed their own social, cultural and economic networks. For gay men in these cities, Dennis Altman argues, there was a recognizable shift in their behaviour. The growing prevalence of bath-houses and sex clubs along with the use of recreational drugs were part of this shift.
The US entered an economic recession which lasted until 1982. While economic recovery out of this recession was slow, for Wall Street the raft of deregulation legislation, together with a steady stock price recovery as high interest rates boosted the dollar on the foreign exchanges, had a profound impact. Not only did the level of trading increase, but also a whole wave of mergers and acquisitions buoyed the banking and underwriting sectors. After the depressed years of the late 1970s and early 1980s there were many companies in the US that were struggling to survive.
From the moment the Atlanta-based Centers for Disease Control and Prevention (CDC) reported on a cluster of pneumocystis pneumonia in five gay male drug users in the Los Angeles area on June 5 1981, and clusters of Kaposi’s sarcoma and pneumocystis pneumonia among gay men in California and New York City on July 4 1981, AIDS became intimately connected with homosexual men. Indeed, what was called AIDS from 1982 was initially labelled GRID (Gay Related Immune Deficiency) and only lost its specificity once the CDC realized that it was not only gay men who were presenting symptoms but also blood transfusion patients, heroin users, heterosexual women and newborn babies.
American Culture in the 1980s (Twentieth Century American Culture S.) by Graham Thompson